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Showing posts with label Thi. Janaki Raman. Show all posts
Showing posts with label Thi. Janaki Raman. Show all posts

Wednesday 8 June 2022

“Payasam” by Thi. Janaki Raman

 

*This is an English Translation of “Payasam 1”, a short story written by Thi. Janaki Raman. Translated from Tamil by K. Saravanan. This is 35th English Translation in the Classic Tamil short stories series.

Thi. Janaki Raman
   Samanathu stood in front of the podium under the Peepal tree, looked at the lord Ganesh made of stone. Gently patted his temple. Under the guise of Thoppu karanam 2, he held his ears and simply displayed a mild jerk in his body up and down.

He felt that someone was telling into his ears: ‘You could very well fold your knees fully, sit and then stand for at least four times. Couldn’t you? Who else has the strength that you have? You are not like Subbarayan who is destined to be permanently sick in life. Are you? You don’t suffer from joint aches, blood pressure and spinning head like Subbarayan. Do you?’ No one has actually uttered anything to him. It was he who was speaking to himself. His inner voice further told him, “It is true that I am seventy seven years old and Subbarayan is sixty six years old. So what? But who, among us, will be assessed seventy seven? Will it be I or he? Will it be just enough if someone is able to earn fifteen or twenty lakh rupees? Will he be able to get this kind of rock solid chest like the bottom of coconut leaf stalk? Will he be able to get this kind of thick, stone like muscles in hands and calf? What sort of marriage is he conducting? Stupidity! The entire world has been invited for it. Hasn’t it? With all these fanfare with drums, tying the Thali 3, getting the last daughter married off, and sending everyone off with the bundles of cooked rice, what the hell are you going to do after that? You would just sit and eat the wheat porridge and swallow some medicine tablets, and wipe your body with the hot water as much as you like. Wouldn’t you? Would you be able to come even for a day like this to the Cauvery 4, swinging your hands and legs, to take a bath?’

Samanathu looked around. The Peepal tree leaves were speaking something gently, rustling. Men, women and children alike who had already taken bath that side of the river and those who were on their way to take bath this side of the river, were going past the narrow lane that led to the river Cauvery. Three fourth of them were unknown faces- with silk sarees and empty pots while going and wet sarees sticking to their body and pots filled with water while coming back- Sand particles sticking to the wet soles, dotted like pepper balls. Like tender greens stem, a child, of five or six years, came nude after bathing. Having changed their dresses on the river bank itself after bathing in the Cauvery, some wearing faded blue Salem silk bordered dhoties were coming. Three fourth of them weren’t known faces.

“Isn’t all for marriage?” a loud query. That faded blue dhoti asked.

“Yes” samanathu replied, looking at his face with tons of questions in his eyes. He asked him in his mind: ‘Why are you shouting like this? Do you think I am deaf?’

“Aren’t you able to identify me?” that embroidered Dhoti asked him again. “It’s me. Brother in law of Sita, Madhurai”

“O…Is it? Yes…yes…Now I could identify. I couldn’t make out in a single glance. The food stuff hasn’t been made yet. Please go there. You might have travelled throughout the night in the train.” Samanathu displayed his hospitality.

“He…is Subbarayan’s chithappa 5. Being the eldest of the family, he is the one who is looking after everything” The Madurai Dhoti introduced him to another washed dhoti standing nearby. He, then left.

“He is the one….” He started adding up some more, introducing him further.

“You please go…I will come in a while after bathing” Samanathu sent them off.

His voice from inside said: “Brother in law of Sita? Subbaraya!...How were you able to give birth to seven girls?  For each girl’s marriage you are bringing train full of your relatives, sons in law and brothers in law. Before I step into the Cauvery River, I don’t know how many brothers-in-law am I going to encounter?’

Leaving the Peepal tree, he started walking towards the river Cauvery, making the ground shake. Tucking up the end piece of his waist cloth in his waist, he was wearing a Kachcham 6   folded up to his knees. A double fibred towel on his right shoulder, open rocky chest, hollow stomach, eyes without over growth of eye muscles and fully functional ears- Samanathu glanced all of them once by himself.

Before his feet touched the Cauvery river bed, he could hear the sound of Thavil 7 from the street, followed by Nagaswaram 8. ‘Muhoortham 9 had been fixed after half past ten. The time isn’t even eight. But these guys have started hitting the drums. They need to while away their time soemhow. Don’t they? In the very similar manner, Subbarayan too gave birth to seven girls without knowing how to while away his time. Didn’t he?’

The water was flowing in three fourth of the river’s spread. Remaining part of the river was sand. He was tramping, with his heavy steps on sand.

The sound of drums was heard feebly at the distance. They might call him. Elder of the family. ‘Subbarayan would come to him, addressing him as Chithappa…Chithappa…If not he, his brothers would call me so- as if I am making everyone dance to my tunes. Let them call…’

Samanathu looked around- to his left.

Across the river there seemed to be a bridge looking anew. It was a new bridge. ‘Is it Subbarayan who is walking there? No…No…. Many people are walking over there. Lorries are moving. Loaded carts are moving. Pedestrian walk over there- everything bears the resemblance of Subbarayan. Even trucks and bulls look like him’. It was Subbarayan who brought that bridge to the town. Had he not been there, the bridge would have been built somewhere forty kilometre away from there. Such was his influence in the government.

At the rear side of his right- in the Vellalar Street- smoke was coming out- the smoke emanating from jaggery making. ‘On the other side, the field of Johnson grass with flowers- half of those flowers were found blossomed like coral flowers shining in the morning sun light. They look like Subbarayan while looking at them closely. It was subbarayan who brought sugar cane to that town. Opposite to the town, other side, these smokes, and sugarcane industry smoke- everything was brought by Subbarayan. Yonder, that school, it was also by Subbarayan. That cooperative society beside the bridge- again by Subbarayan’.

“Why are you burning with jealousy? Isn’t he your elder brother’s son? It is now nearly twenty years I came to this house after marrying you. Half of the days, either it was old watery rice of previous day or some Vatha Kuzhambu 10 and this coral mound- I didn’t enjoy anything other than these. Did I? Were you and your brother able to send even that four rupees of monthly wages to Subbarayan? You had brought him telling that he was your relative and got him educated at the rock fort, praising him that he was very good at studies. Didn’t you? Were you and your elder brother able to complete at least his education? With your futile attempt of making him jump off three fourth of the well, you had dragged him home during the final year, discontinuing everything. He came back, angry, roamed around and became feeble. Then the goddess of wealth came to him, danced in his family…”

Samanathu was no longer willing to listen to this rant. It was his wife’s voice. Now he was able to listen to it in the air. Around seven or eight years ago, he had heard her in person.

‘It was true that I couldn’t get him educated. He came to the town. Then ran away. Went to the fort and started a career of an accountant. Picked some fights there. He borrowed some amount from one of the customers of the shop, and established a grocery shop with the half of the share as profit. Whether it was it his sheer luck or his face or his character, no one knew. His shop grew leaps and bounds, became a whole sale shop from a petty shop. Procured paddy. Black grams and pulses in trucks and amasses wealth of twenty lakh rupees in twenty years. He had purchased one fourth of the land in the local village itself.

He divided his own earnings and gave the half of it to Samanathu. Samanathu was angry as his part fell outside the village. Not only that, it was lying far beyond the river bed too. He fought with him. Only at that time Valambal told him, “What the heck it is! Is it your rightful demand? Or is it your grandfather’s property? Or has your father earned it? It was all his single handed earnings and he has given it to you as he has regards for his Chithappa. Your complaints sound just as frivolous as your complaints about a cow you have received as a charity not having proper teeth and tail. You better shut your mouth and accept whatever he gives. If the people come to know about it, they will laugh at you. Had I been one among the village elders….”

“Even otherwise, you are now a different woman. Aren’t you? On seeing you the way you dance, talking in favour of him I am unable to make out whether you are my wife or my elder brother’s wife”

Thooo…enough…enough of your nonsense” Valambal moved aside.

“mhha…a sound of laughter like a cow came out of his throat pit- a laughter of pride. A pride with stupidity. Then he followed Valambal, trying to coax her. “Don’t be angry dear…I just checked how your heart responds to it”

“Enough of it…Please don’t talk to me”

For next three days, Valambal didn’t speak to him- for this stupid mischief.

There was no property dispute till she died. Now the property was divided. He had accepted it too…Now what next?....”

But he couldn’t get the whole of his share. Samanathu’s Valambal was not alive in this world now. The first two children she gave birth were not alive now. The third one was a girl- she was also no more. Fourth one was a girl- she lost her husband in the third year of her marriage and now settled in her mother’s home. Wearing a brown linen saree, she left her husband’s home and came back to her mother’s home. As per the family tradition, they shaved her head off and got her wear brown silk saree. Her marriage took place on the same stage along with Subbarayan’s third daughter’s marriage.  

Fifth was a boy- a painter living in Delhi. Sixth one was boy- he was attending to the nuptial errands in the marriage of Subbarayan’s seventh daughter like a domestic help. It was he who had hurried him up to take bath in the Cauvery, telling him, “Please go and take bath quickly. Who else is here as elder other than you?”

Samanathu tied his towel around his waist, put a knot in it, got into the water, plunged into water fully, and wiped his body.

A bus was going on the bridge. One bundle of banana leaves, a bicycle, four or five bales and a bundle of sugar cane were kept on the luggage carrier of the bus- everything bore the name of Subbarayan. ‘I want to strangle that fellow by his neck, shaking him till his eye balls come out…..and putting all the women of his family into a rug sack…..and ’ he grinded his teeth.

You may throw them into the Cauvery. Only then you can be doomed for ever in the hell without being able to come out of it. Go there immediately’

It was she…She…it was Valambal. Yonder, it looks like her on the black washing stone. Dark in complexion. Wavy hair. String of corals. Thick stud. Body without blouse. Medium built. Many a time he had come to the river, took bath at a distance while she was taking bath in the Cauvery. He had groped her as if he was looking at an unknown woman through the corner of his eyes. ‘That day, while changing the wet saree, struggling to cover her waist and calf, standing in the empty space of the river bed, he was ogling at her; at that moment she glanced at him, the way he became shy as if he was someone not related to her- everything is still visible! Why did she leave for heavenly abode well before me?’

“He gave you half of what he had earned and shared the remaining part with his brother. Even his children would get very little as their shares. Then why are you burning with so much of jealousy?” she shook him on that day, washing him off in the Cauvery river.  

‘A colossal being! She stood for what is called righteousness till her last breath. Didn’t she? What a sense of rectitude! You have kept me as a human being, my dearest. Haven’t you? Now you have left me” he mumbled. Tears rolled down his eyes. Turned back. The next washing stone was somewhere afar. No one could have heard him. Even if they had heard, it would have sounded like slogas.

‘Narmade Sindhu kaveri..’ he murmured slogas, wrenched his dhoti, wiped his body, wrenched his loin cloth, rinsed it and tied it around and started walking after smearing vibhoothi 11 on his body. (Subbarayan would keep calling him fondly Chithappa …Chithappa. Poor fellow!)

Nayanam and Thavil were approaching near. He stood in front of the Peepal tree podium, worshipped Lord Ganesh and stone cobras and left hurriedly. He entered the street. The whole village was sparkling like a new bride. New sarees, jewels, reddened feet, fair complexioned calf muscles and faces frequented each households. At some verandas, some were playing cards. The street was full of persons wearing neatly washed dhoties. Every corner of it echoed the chaotic noises of children.

“So grand of a marriage to attest Manaluran’s name” Samanathu mumbled with himself. His family did not belong to that village. Three generations ago, his ancestors emigrated from Manalur in search of livelihood in priesthood job, settled here in a small hut at the corner of Agraharam12. But now, it had acquired its own land in the form of houses in the middle of street itself. Yet the title, ‘Manalur’ didn’t leave them. How could his pride that resulted after subduing the locals not manifest itself in Samanathu’s eyes and walk at that moment? Let it be visible for everyone in that village to see.

Both his house and Subbarayan’s house were standing adjacent to each other like brothers. With the canopy covering both the entrances, both the verandas were full of crowds wearing new dhoties. Inside the halls, were there flowers, beds, noises of children and trunk boxes.

He walked past, went inside, wore his dhoti, went to the back yard, washed off his feet came back, and sat on prayer. Earlier, the pictures of Lord Krishna, Lord Ram and Lord Ganesh would hang on the walls of that room in a row. Now, Lord Ram, Lord Krishna and Lord Ganesh were sitting in the Almira of the prayer room. The paintings drawn by Mathu were now hanging on the walls.

Mathu- was his third son. He didn’t come to attend the marriage. He wouldn’t be able to attend every marriage of subbarayan’s progeny. Would he?  

“Appa”

It was his daughter who called him. She was standing with her linen saree, covering her head.

“They are going to call upon the bridegroom and change the garlands. The procession for ‘parting mendicant’ is about to start. Please go there. You may conduct your prayers tomorrow.” She told him.

“It is ok…It is ok…I will come in a while. You may leave now.”

She looked up to him. Stood bewildered.

“Why don’t you leave now? Haven’t I told you that I would come in a while? Only this work I have”. His last words didn’t fall into her ears.

Tonsured head. She was thirty one years old. Youthfulness of twenty got exhibited both in her cheeks and eyes.

“I told you to leave. Didn’t I? You go. I will be there”

She left, gently closing the door. He felt that something was burning up to his neck.

He looked around. Everywhere the paintings drawn by Madhu. Looked at them intently. He felt laughing. In one painting, it was nothing but a full knee with an eye and a comb inserted in it. Another painting looked like a girl. One of its legs was a pig’s leg. She showed the interiors of stomach, tearing it apart. Four knives, a milk tin and a baby curled body were there inside. Another one was a lotus flower. A slipper was kept on it. The half of the slipper had a moustache drawn on it.

‘What nonsense are these?’ he stood stunned at seeing them, and kept watching them with his mind lost in one point. ‘Legs are aching. Aching legs…to me. Alas!’

The sound of drums.

“Appa…they are calling you” linen head peeked into once again. Such a small face.

“Yes…I am leaving”

Chithappa…where have you gone?”

It was Subbarayan’s voice. A panting voice. Hunch back.

The bride and bride groom exchanged their garlands. It was said that watching them along with the swing, would bring one all the gains of the Punya 13 of having a glance of Parvathi- Parameswaran and Laxmi- Narayanan. Even the widows from that village were standing at all nooks and corners. Everyone was laughing, showing their teeth everywhere. Broken teeth, stained teeth with dirt, corroded teeth, widowed teeth, toothless teeth. Even the cook was also present there.

‘Kannoonjalaadi nindraar…’

Nayanam player played that ‘song’ -in-swings.

Samanathu felt asphyxiated. He moved from there silently. He walked along the back yard to get some fresh air. The hall was completely empty with none, not even a fly or crow. Going past back yard entrance, was there the last yard. No one was there. Gigantic ovens were burning with flames. The fire was thick. Everything was boiling in cauldrons. Behind the jute sack curtain, one boy, oil skinned with dirty poonool 14 was cutting cucumber. No sign of any living being around there. Parvathi and Parameswaran were busy exchanging their garlands.

On this side of the gigantic stoves, a huge cauldron was kept on a platform. Waist height- up to abdomen level, Payasam was kept inside. Its aroma, coming out. Grapes and cashew nuts were floating on its surface. How could they lift it and keep it on that platform? It could be lifted only when two persons lifted it like a palanquin with the help of wooden sticks inserted into its upper rings. The quantity of Payasam was sufficient for nearly four or five hundred persons.

‘I can turn it upside down single-handedly.’

Samanathu held his breath, pulled the cauldron on one side with his both hands, flipped it on one side. ‘Poooo….very simple task…Next second, the waist height cauldron flipped it sky-looking mouth on one side and fell flat onto the ground. The Payasam flowed into the gutter.

The cucumber cutting boy came running.

“Grand pa…Grand pa…”

Samanathu felt as if sand is crawling on his face and skin.

‘This fellow comes running with Arival Manai 15 in his hand. Doesn’t he?’  

His hands and legs started shivering. Tongue lost its balance.

“You fools! Where have you all gone leaving this big rat swim in the payasam? You have made this much Payasam just to feed this gutter. Haven’t you? You scoundrels! Don’t you have even a plate to close it?”

A servant maid came running towards him.

“O! My elder Master! What happened?”

Amaandi….Hadn’t your elder master seen, all would have got payasam with a rodent. Get lost from here. Go, play in swings with your garlands”

Another five or six persons came running.

That liner clad girl also came running, covering her head.

The servant maid explained everything to her.

“Appa…how could you topple this big cauldron?”

A shade of gloom spread across her body, tender milky face.

“Get away from here…a sharp shout came out from him. “Hadn’t I been there, you all would have got rat poison, not payasam.”

The girl threw a pricking stare at him. Can an eye carry such a bush of thorns in it?

Samanathu couldn’t face that bush. He turned his head, and yelled, “Where is that stupid cook?...he left the place and went towards the hall.

Pe…pe…pe…pe…

Pae…pae…pae…pae…

The Nayanam was playing the swing-song in Anana Bhairavi raga.

It seemed that Valambal was singing that song.

                                                   ***The End***

Note:

1.      Payasam: A sweet porridge made of rice powder.

2.      Thoppukaranam: A way of worshipping by doing ‘sit-ups’, holding one’s ears.

3.      Thali: A sacred yellow colour thread worn around a woman’s neck as a symbol of being married.

4.      Cauvery: River Cauvery, flowing in Tamil Nadu.

5.      Chithappa: Younger brother of one’s father.

6.      Kacham: A type of waist cloth worn by men.

7.      Thavil: a type of musical instrument made of hide.  

8.      Nagaswaram: a type of wind musical instrument.

9.      Muhurtham: an auspicious moment/ time.

10. Vatha Kulambu: a type of stew made of dried vegetables.

11. Vibhoothi: a sacred ash, applied on body and forehead.

12. Agraharam: a distinct residential area earmarked for Brahmins.

13. Punya: The good effects earned through good deeds.

14. Poonool: A sacred thread worn by some sections of people.

15. Arivaal Manai: A curved cleaver with a sharp edge facing the user, fitted on a wooded frame held down by legs, used for cutting vegetables.  

Translated from Tamil by K. Saravanan.

Source: ‘Payasam’, Short story written by Thi. Janaki Raman.  


Thursday 31 March 2016

Ravanan's Love (Ravanan Kathal) by Thi. Janaki Raman

This is an English Translation of “Ravanan Kathal”, s short story written by famous writer Thi. Janaki Raman. Translated from Tamil by K. Saravanan. This short story has been taken from his short story collection “Sivappu Rickshaw”. This is 3rd English Translation in Classic Tamil Short stories Series.

A word before reading this short story: Thi.Janaki Raman has taken poetic licence in this short story to recreate an imagination to explain the reason behind the curse on Ravanan why he would not touch women without their consent. Those who know Ramayana might understand what it is. He abducted Sita along with the land (as per the version of Kamba Ramayana) where she was standing, without touching her. Till his death he did not touch her. Interpretations could be many. The reason creatively imagined in this short story is logical and beautiful. 

……     

Thi. Janaki Raman 

 'Was it a lightening?' 

The lightening flashed amidst the clouds thickly gathered in folds. 

'Was it a lightening? Lightening in the white clouds?' Ravanan looked at intently.  

The lightening was coming by walk- she was a woman. Her body was shining like a conflagration of lights. The green sari illuminated with the velvetiness and pastiness of a tender stalk was fluttering untidy. She was walking not being able to adjust it. No eyes of space of emptiness! No more life! No need to feel ashamed.  

Ravanan looked at her astonishingly with his eyes wide open. It was looking like a fully blossomed coral jasmine walking. Enviably taller; well-toned shoulders; it seemed that the hem of her sari would slither down from the shoulders, descending her neck.  

Her height only arrested his attention first. Not only her height!...All parts of her body were developed proportionately to her height. He intently gazed at her from head to toe. Curls of her lock, slide of her shoulder, curve of her eyes, bend of her elbow, arch of her back, twirl of her waist, softness of her knees, slide of her high heels- it was a body made of slides, twirls and softness. The Creator made her with all the known curves and tenderness available in the bright materials. For Ravanan, she appeared like a manifestation of God’s best possible imagination, an embodiment of femininity. She was an ultimate attempt of God who tried to recreate beauty. As far beauty was concerned, her build seemed to be the final word for Ravanan. Her beauty seemed to be an unattainable feeling indescribable in words just like the truth which is beyond even the tenets of Vedas. 

Stunned, stood the king of Srilanka looking at her fully gifted body.  

Her appearance even fit the word used to describe a well-built male.  

Her well grown and lustrous body evoked a suspicion whether she belonged to the breed of Asura. But her body was shining with light and radiance of crystals. Her appearance with the dominant divinely daintiness among Five Elements, could be found only in Apsaras. 

Ravanan was spell bound.  

'She is meant only for the bravest. She is meant only for the one who is courageous, high spirited and an embodiment of masculinity'.  

Ravanan reassessed his appearance once more through the mirror of his mind. He saw his hill like body. He saw his courage which cowed the Devas. He saw his divinely lustre attained through the unrelenting penance which brought him the control of the Three Worlds.  

Next moment, his majestic bulk obstructed her way. She got frightened.  

“Be not afraid, who are you? “  

“..........................”  

“Be not afraid, tell me. Who are you?”  

“Punjigasthalai”  

“Are you an Apsara?” 

 “Yes.”  

“Hadn’t Bramha created any other beauty after he created you?”  

“Who are you?”  

“Who am I! Who else can have the power of penance to roam around this space of universe with his earthly body, except Ravanan?”  

“Oh...you are the King of Sri Lanka!”  

“King of Three Worlds...Why do you run? Stop there. For what do you run? What is the use of running anyway?”  

There was no use in running anyway. She stopped. He looked at her eye brows raised due to fear, frightful eyes and palms holding each other.  

Curved and shaped Hands, long and sharp fingers, row of narrowing nails showering sparkles- Ravanan came closer.  

“Where are you going?”  

“To Brahma.”  

“Why? To see whether he has created yet another beauty like you? Do not worry. All his talent has come to an end with you.”  

“I got to go”  

“Why are you so much frightened? You carry an appearance and build of a courageous lady and this fear does not suit you.”  

“I got to go.”  

“Why?”  

“I am on my way to pay my respects to Brahma. Leave me now.”  

“Are you going to pay respect to him? Or he is going to pay respects to you?”  

“What insane are you speaking?” The words of an ordinary lecher have given her this courage.  

“Do we not taste the grapes cultivated by us? Do we not eat food cooked by us? We do not put them aside by not tasting it just because they are our creation.”  

“This abundance of absurdity comes out of Ravaneswaran’s mouth? Doesn't it”  

It was true anyway. He did not speak all these with his sense. He was standing, inebriated, in front of her, looking at the curvature of her ankle. The body was under fire. Eyes got dull with lust. Sense became senseless.  

“I do agree that my sense has got rotten. What should I do?”  

“Please leave me now.”  

“I stopped you just to leave you or what? – It seems that I won’t be able to leave you even if I like. How was it possible to blend both these softness and roughness together? Brahma, the Great, is indeed a conjuror. “Is it possible to blend gold and flower? But such an impossible task of art has become possible in your parts. This riddle still perplexes me.”  

His eyes pierced her like arrow. She pulled the hem and covered her breasts.  

“Why are you troubling me when I am on my way to conducting Puja?”  

“Do you really have to go?”  

“Yes.”  

“You have taken me in your control. My love is tangling now without any support.”  

“It sounds silly.”  

“What.”  

“Your love has become a fully grown plant from seed and sprouted in no time?”  

“I understand what you say. You say love is the similarity and unification of minds.”  

“For two hearts to understand each other, they need time. Otherwise there is no meaning in the word ‘Love’.”  

“It sounds amusing.”  

“What?”  

“If love is the similarity of minds, I can love my brother Kumbakarnan who is always snoring. There will be no need that only men and women should fall in love with each other. Has Brahma created men and women just for this similarity of minds?”  

“How can a man and a woman live together if they don’t like each other?”  

“Even if they love, why should they live together? A man and a woman should only live together or what? It is the carnal desire that binds men and women and makes them lovers. If love is not about body, the distinction between male and female should not have been made. Brahma would have got satisfied after creating a sexless being by combining the body with life. Then what is the necessity of your feminine grace, ascending elongated eyes, beautiful body with curves and slides, striking nostrils, broad chest of men, well-built shoulders and courageous appearance? In order to fall in love with a beautiful body which is beyond words and can only be felt, you don’t require time.” After seeing your beauty, I am besotted. If then, are introduction, friendship and time essential to fall in love?”  

“Your licentious words pierce my ears. I have not fallen for you. Leave me.”  

“My lust has got its leash of life. My intentions have to be fulfilled”  

“My intentions only have to be fulfilled. My hatred should only be justified.”  

“Everyone won’t get their intentions fulfilled.” She started running. But the hands which conquered the Devas got hold of her hands. Next moment, the emptiness of space became her only dress. Her fully blossomed beautiful lengthy body which looked like a rare breed of horse was lying on his hands. Her endless beauty had brought him down. For him, even the resistance offered by her body seemed to be a beauty resembling rain and storm. She wriggled as if she had fallen into the fire. The courage which once won the Three worlds had won her now.  

Punjigasthalai went to Brahma and cried helplessly. Ravanan was standing in front of Brahma like a criminal. But not with the bowing head. Even if I am broken into two pieces, let it be. But never bow my head in front of any one- his natural sense of arrogance ruled him.  

“Grandpa, Why did you call me?”  

“Performance of penance is something beyond the capability of ordinary mortals. The penance you performed was something best among the penance. By performing penance amidst five types of fire, you have acquired all the rare powers. You have got the control of all the Three Worlds. I called you as I was immensely sad after hearing that the senses of this kind of unparalleled saint have got rotten”  

“My senses have not got bad!”  

“You could show your courage you gained through the impossible penance only to a poor lady. Is it?”  

“Is it related to Punjigasthalai?”  

“Yes.”  

“Why have you created Apsaras? Is it Just to entertain Devas?”  

“Only for Devas.”  

“Why so?”  

“They have become Devas due to their good deeds.”  

“So this pleasure is the only gift for their good deeds. I have become the God of Three Worlds due to the power of my penance. Hence I too have right over her. If considered in right manner, I can only own her. These Devas are eunuchs. Brave blokes who just run away with fear and their dresses coming out once they see me!  People of Indra who have become “Nabumsagan”. They are here to prove the proverb “subjects are just like their king”. For these kinds of men, will the absence of Apsaras be a matter to be worried?”  

“I didn’t call you upon here to hear your opinion about Devas. Is it true that you molested her?”  

“Yes. It is true.”  

“Why did you do this disgraceful act?” 

“For why? What kind of question is this?” Is it not a highly laughable question? Moreover, was it a disgraceful act or what?”  

“Is what you had done not a disgraceful act?”  

“How could it be a disgrace, grandpa? The unparalleled beauty of Punjigasthalai has shown me what ecstasy is. It enslaved the bravest of brave. Is it not a resolute proof for the heights your art of creation has attained? ”  

“Is it the way a saint like person behaves?”  

“What could my penance do in this case? Penance offers power; Strengthens masculinity. Can it stop the mind or what?”  

“Was it not true that Punjigasthalai did not love you?”  

“I loved her. The beauty of this whole universe has descended upon her body. I was smitten by it. It is true that I molested her. But how could you say that it is wrong?”  

“Was it not wrong? Do you say it is right act?”  

“Based on which justification do you conclude it is wrong? I simply could not understand. What I have done is a simple natural act of instinct. The way I got infatuated with her beauty was completely natural. It was an obsession not owned by me at all. It was the temptation of the beauty itself. According to the rule of nature, it was a right act anyway”  

“Is even possessing her against her wishes also a right act?”  

“Grandpa, beauty is created to feel it. It cannot be given to Devas alone. Beauty is common to every living organism. As far Punjigasthalai is concerned, I too have the same right that Devas have. If you think that what I had done is wrong you should have given me the power simultaneously to control my mind from falling for the beauty you created.”  

“So is it my mistake that I created her?”  

“Almost true.....you are responsible for it. My penance did not help me to control my mind. This trouble would not have occurred if I had not been perturbed by the beauty beyond the power of my penance. 

“How could your penance help you? Controlling the mind is not purpose of penance. Controlling the mind itself is penance. Standing without disturbed for half an Nazhikai (unit of time) amidst all the temptations is thousand times bigger penance than the one standing amidst the five types of fire. The way you justify your actions in the name of nature is nothing but absurdity. The life has been given to you with the independent faculty of discriminating good and bad. Conquering Nature is the way of life.” 

“But my penance did not help me in winning the nature”  

“Your penance belongs to an inferior quality.”  

“But you have offered me the array of boons only for those inferior quality of penances.”  

“You are still standing at the place where you have started. What is the use of talking about it again and again? If the creator gives everything, then what else will remain for the created? Your misplaced sense has made you argumentative. Animals will only justify that molestation is natural instinct. The purpose of your noble birth has been defiled herewith. You accept that you could not control your mind. If you, hereafter, touch any other woman without her consent with an intention of molesting her, your head will burst into hundred pieces. Now you may go.”  

The curse descended upon him with the voice of thunder.  

The accused smiled.  

“Grandpa, you have cursed me in haste. If you give the power of controlling the mind, your creation would end up in mess. What to do? Artistes cannot perform anything at the assessment of reason. It is not surprising to see that even the Creator himself is a fool. He went out with a smile.  

                                                    ***End***

 Translated into English by K. Saravanan  

Source: "Ravanan Kathal", short story written by Thi. Janakiraman (Taken from a collection of short stories, Sivappu Rickshaw)  

 

 

 

 

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